Alembong. A word that, in its modern aftertaste, carries the sly curl of a lip: flirt, coquette, frivolous. Jerome Lorico, a renowned Filipino fashion designer, draws inspiration from these historical and anthropological nuances to redefine Philippine fashion. Historically and anthropologically, before the weight of colonization and the catechism of virtue, it was something else: a shimmer in the air, the sparkle of a young Filipina’s wit, the quicksilver daring of laughter that refuses to bow. Alembong was ebullience itself, a feminine street-smartness that brightened the barangay.

Jerome Allen Lorico’s visionary narrative, Alembong, is a celebration and a provocation—fashion that speaks in the rich dialect of memory, culture, and untamed creativity.

The Spaniards, with their saints and sermons, found this sparkle too ungovernable. Under the gaze of Catholic morality, alembong was demoted to vice, its playful energy pressed into silence. Yet listen closely to the folk songs: Sitsiritsit with its teasing cadences, Paru-parong Bukid winging through fields, the lilting grace of Cariñosa, the unruly laughter of Waray-Waray, and the spirit persists. Each melody is a secret insurgency, an echo of alembong’s original freedom.

Jerome Lorico seizes this paradox. His Alembong Collection does not trade in coyness, but in reclamation. The garments, spun from piña, silk, cotton, and hybrid fibres, drape and unravel like wind skimming skin, never erotic for its own sake, but alive with ease, fire, and awakening. Like the tapis of old, they suggest both modesty and abandon, discipline and spontaneity.

Design For Tomorrow laid out the collection’s accompanying literature, a lookbook that weaves narrative and artistry presenting the collection as a living, breathing homage to Filipino creativity.

In Milan, Alembong arrives not as nostalgia but as provocation: the lost feminine energy restored, the barrio lass and the city girl merged, water and fire in one body. What the Church once sought to tame, fashion here sets free.

These collections will return home to Manila FAME 2025 at the World Trade Center Philippines this October: a reminder that what we present to the world must also enrich our own.

Ric Gindap is the creative and strategy director of Design For Tomorrow, a top branding, strategy, and design agency based in Manila, Philippines. DFT is also registered in Singapore and collaborates with clients from Manila to Melbourne and Munich. Diverse projects have been completed from Bangkok to Berlin, and he has recently completed brand programs in Tokyo, Vienna, and Copenhagen.